Adobe Photoshop Design

For expert artist and designers, the exciting thing about utilizing personal computer sets is that most of these individuals can now combine the technology with the traditional art without compromising others aspects. Utilizing a computer program such as the Adobe Photoshop will now allow you to do the same things that would have done traditional by some people with a pencil and paper, however, much faster and with less waste materials. Most designers and even you can now redraw and get rid of illustrations and images with the aid of this advanced computer technology, even in the last phase of the design process, without having to get more pencils and papers.

This goes for all amateur and professional designers like you, you and all others that are more often than not making business marketing materials such as stickers, postcards and especially posters can now make use of the steps that is printed in this article for you to cut down on printing cost and especially on waste materials.

You will also accomplish plenty of time when it comes to setting up something errors with the aid of these programs. To further improve your know how about these things, below are some of the fundamental steps that you can consider every time you are designing your print materials with the aid of the Adobe Photoshop.

The sketching in Photoshop - most of the professional designers usually believes that the process of sketching is similar when it comes to traditional and digital art. The palette graphics of this program almost replicates the feeling of the drawing on paper materials. However, the drawing process in this program is not really as fast as the drawing process in paper materials. On the other side of the working sheet of this given program, you can make effects such as the halftones that cannot be drawn with the use of pencils and papers.

Preparing layers - after you have finished with the sketching process, it is now the time for you to convert all the images in your print materials into sepia tones before you work on the color elements. The process of converting the images into sepia tones is a very easy task that you can do on your own. After that, you can utilize the sliders to colorize the lines into yellow or some other colors that you want. In sepia, the sketch lines usually yield halftones that are subtle, which makes it easier for you to view the image but retain its given form while in the coloring process.

Working with the lower layer - always select a dominant dark type color that the secondary aspect can relate to without losing or decreasing the contrast in your print materials. It is a must for you to do this process so that you will not be lost in the details of all the given colors and images that is floating around your print materials.

Working with the top layer - finally, the top layer is usually where you can work with the lines of the drawing in your poster printing by adjusting, refining and correcting them. This is also where you can work with the lighter colors to aid you smooth out uneven shapes. Once you are done coloring your poster design, the top layer is also, where you can get rid of the lines that will just negatively affect your print materials functionality.

Much has been said about the worth of Photoshop tutorials found on the web. By simply following a step-by-step instruction on how to achieve a certain effect, Photoshop is now becoming more accessible to almost anyone who knows how to use a computer.

Photoshop tutorials alone could not make you a successful graphic designer. Sure, you can probably know how to do basic photo manipulation but everything is in vain unless you have an idea on basic graphic design.

Graphic design is a process of incorporating the elements and principles of visual arts in order to achieve an aesthetically pleasing and functional effect. The functions vary per work. Aesthetics, as we all know, is subjective. It is safe to say then that there is no single formula for graphic design. The processes are not even consistent and would depend a lot on a designer's attitude, personality and motives.

Authors of Photoshop tutorials oftentimes subscribe to a rather wrong notion. But it can't be help and they can't speak for everyone. It is the role of a Photoshop learner to get the necessary background on graphic design and not just rely on spoon-feeding.

For one, a novice Photoshop user should at least try to analyze his/her intended audience. This is done in order to determine the purpose of your message. You can create abstract visuals in painting but not in graphic design. Every work should function as expected. Part of achieving this is how you will relay the message. Simply put, you have to consider your medium. If it is a movie poster, where shall it be placed? If it is a web design, to whom will it cater?

Once you have determined all these, you can now envision how the design will look and feel like. You can organize your text and graphics based on that vision. Use the appropriate layout, typefaces, styles, formats, and spacing. You can manipulate each graphic element and the design altogether. It would depend a lot on your imagination. It is more dependable than Photoshop tutorials anyway.

But how exactly, you may ask? Now comes in the elements of graphic design. Let us begin with the basic.

Line. There are a variety of them and each has its own design function. Straight, curve, thick, thin, broken-what lines do, independently or when incorporated with other elements, is organize texts and graphics. It creates a visual path that will help your audience follow through the design. Lines give a sense of motion to the design. It directs the eyes of the spectator.

Shape. Psychologists have always been fascinated with shapes. Think: Rorschach inkblot test. You can make use of the same principle in your design. By knowing the audience, you will learn how to easily manipulate their thoughts on a visual stimulus of your own doing. Shape, more than any element, symbolizes ideas.

Mass. The most confusing part of Photoshop tutorials is when the author begins blabbering about the importance of mass. Those who don't know a thing about graphic design will ask: "What in the world is visual weight?" Simply put, it is how graphic and text elements create contrast to grab a spectator's interest.

Texture. Another confusing thing about Photoshop tutorials is texture. The same question is often left hanging. These are easily understood once you already know your "emboss" from your "drop shadow." Visual texture also creates contrast and interest. It adds dimension and personality to the design. It provokes emotions and play on the spectator's eyes. Whenever you hear someone saying that a certain artwork seems alive, that is most probably the handiwork of texture manipulation.

Color. This is probably the easiest element to control in graphic design but is still oftentimes overlooked. Handling color is as simple as getting a color wheel and picking which color combination works together. But the tricky part here is learning color association and symbolism. Just like shapes, psychologists learned that colors evoke a certain behavior towards a spectator.

If you have been shopping around for a graphics editor, chances are you have already heard about Adobe Photoshop. Of all the graphic design software on the market, Photoshop consistently comes up as a must have for most graphics professionals. What makes this graphics editor stand out from the rest of the competition?

Ease of use

There are varieties of features that make Adobe Photoshop one of the best in the game. Primarily, this application has to be one of the most user-friendly programs ever created. There are several discussion boards and websites filled with video tutorials dedicated to Adobe Photoshop; beginners and seasoned users are always able to find answers to any problems or questions that they encounter.

Non-destructive editing

Non-destructive editing is a feature that allows you to retouch photographs without ever touching the original image. This feature is not limited to photographs; it is also helpful for graphic designs. One of the advantages of non-destructive editing is that you can easily modify image effects and make various other adjustments to your project months after the first modifications. Non-destructive editing allows the user to make quick surface adjustments and makes editing more flexible, which makes the application that much more powerful.

State of the art editing tool set

One of the reasons why Photoshop is a standard among graphic design professionals is its image-editing capabilities. The software supports standard ICC color profiles and features advanced layering with masks, styles, shapes and adjustments. One of the coolest features of Photoshop's tool set is cloning, which allows you to remove unwanted items such as leaves or electric wires from pictures, even people! It also allows you to import components from other pictures into your images. Another powerful tool is the healing brush, which allows you to remove imperfections, such as wrinkles, scratches and scars from a person's face. Adobe Photoshop is unrivaled when it comes to its editing power.

Wide variety of plug-INS

There are several third party plug-INS available for Photoshop such as Digital Element's Aurora plug-IN, which allows users to add natural 3D elements to any 2D image such as skies with clouds, water reflections and lighting effects. The program also includes Carrara 5 by Eovia, which makes creating 3D illustrations and animations a breeze and Strata Foto3D by Strata Design, which allows you to generate 3D models from photographs shot with a standard digital camera. These are only some of the hundreds of plug-INS available that provide customers with the ability to add even more capabilities to their software application and enable them to improve this already impressive software application.

If these features, options, tools and plug-INS are not enough to convince you that Adobe Photoshop is the way to go when it comes to graphic design and image editing, there is a free trial version available at Adobe.com